top of page

BOTH, TWO

2018

VERA TUSSING & ESSE VANDERBRUGGEN: BOTH, TWO

​

In Both, Two Tussing & Vanderbruggen examine the duet, the smallest unit of togetherness. The dance duet is a genre with a history. In their most familiar forms, duets reflect the range of possibilities for relating, which resonate within a certain cultural imaginary. In particular, they reveal common-sense attitudes towards who gets to move, how, and under what conditions.

When two people dance together, a whole constellation of invitations, permissions and prohibitions is put on display. Both, Two invites the spectator to jump into this complex more-than-human ecology with her whole body: the work asks us not just to see but to sense. Can we hear a duet? What does it feel like? Costumes with palpable textures, swirling currents of air and sound, and a tactile program note complement the movements of tangibly enfleshed bodies; a journey for the proximal senses that intersects with the visual and the aural in unusual ways. In a duet which both references and exceeds the tropes of the genre, Both, Two asks what it could mean, today, to be two together.

Performance & Creation: Vera Tussing & Esse Vanderbruggen

Sound: Mike Picknett

Lights: Bert van Dijck Costumes: Sofie Durnez, Jivan van der Ende

Direction: Vera Tussing

Dramaturgy: Seb Kann

Feedback: Saïd Gharbi

Artistic Collaborator: JS Rafaeli

Photography: Alessandra Rocchetti

Video: Zoilly Molnar Production: Hiros

Co-production: Kaaitheater, KAAP, The Place, IN / FINITY Support, Research

Residencies: Vlaamse Gemeenschap, South East Dance, The Place, CND Paris, Tanzhaus Zuerich, ImpulsTanz , BUDA, STUK, KAAP,

De Markten, Cc 't Vondel, De Warande, Stems Gallery / Cindy Daignault, Klein Verzet

Tactile Programme Note: Anna Goette, Bert Van Dijck, Lucie Beauvert, Esse Vanderbruggen & Vera Tussing

Additional support and special thank you: Esther Severi, Anneleen Keppens, Zoltan Vakulya, Chen Wei Lee, Gorka Gurrutxaga, Laura Poletti, Magrit De Maegd, TOPAZ, Susan Carter-Schwantes, Bun Kobayashi & Clara Levy

​​Vera Tussings creative processes, performances and installations are driven by her interests in dance, movement, perception, the senses, embodied experience, multisensorial spectatorship, collectivity and consent. Her most recent series of work, the Tactile Cycle, is formed of stage creations, sculptures and movement-sound installations focussed around the creation of unique, inter-personal encounters between audience and performer. She graduated from London Contemporary Dance School, and has worked as a dancer, director and researcher throughout Belgium, the UK and across Europe.

​

​

bottom of page